Even though I had a week at the USk symposium in Toulouse, I only got around to sketching three buildings. The rest of the time I sketched people, and attended workshops.

At the Urban Sketcher’s Symposium in Toulouse I attended the Peter Rush demonstration to experience his method of capturing s street scene that includes adding in, rather than ignoring, street signs, traffic lights, posts, recycle bins, and other street furniture and urban elements that give the street it’s personality. I took inspiration for this style of sketching along onto Saturday’s Sketch Crawl in Toulouse, and have started to use it now that I’m back home.

Urban sketch of a building in Conceição de Tavira Urban Sketching a Street Scene On the way back home from…

Sunday morning sketch in Cabanas capturing a street scene with bougainvillea in ink and watercolour, using a colour triad to ensure colour harmony, which is especially useful when you’re sketching lots of foliage.

My first outing with the Algarve Plein Air Collective. Although we were on the Cabanas boardwalk to sketch the boats in the water, I was drawn to the Sunflower, in front of our local newsagents, which had its face turned towards the morning sun.

Urban Sketching day out in Tavira sketching Tavira Public Gardens. Take a deep dive into how I planned the composition using the L-shaped layout, and how to create dynamic skies. I also sketched one of the town’s many churches and tested how to use water-soluble ink to create shadow area.

I painted the same scene in two styles—Wobbly urban sketch and precise studio sketch.