Day 128 of sketching people in ink and watercolour. Today I sketched a couple of sunburned people at the café and added some poetic reportage to capture the scene. I also added coffee stained backgrounds.

Day 127 of sketching people in the waiting room of a government office in Faro. Experimenting with page layout by adding signs to help convey the location of the sketch, and filling negative space with some poetic reportage.

Day 125 of sketching people at cafés in Tavira and Cabanas. Experimenting with page layout and composition, to see how well overlapping figures, and using V and L shapes layouts works.

Day 124 of sketching people at Faro hospital, where I added a bit of poetry to my sketch to memorialise the moment with a bit of reportage. Also continued my fasciation with biro portraits, using Earthsworld photo references.

Here’s an image gallery of my urban sketches of people where I’ve add a bit of social or cultural commentary in poetic form to elevate my illustrations into reportage.

Day 123 of sketching people at a local cafe. Added a bit of poetry to a couple of my sketches for a bit of reportage. Also continued my fasciation with biro portraits.

I’m testing these four different fineliner pens to see which one has the optimal ink bleed for grey tonal shading. I’m considering adding one of these to my must-have urban sketching kit to sketch people.

Day 121 of sketching people. Biro sketches with tonal shading from online resource images, and a couple of urban sketches at the cafe in ink and watercolour.

Day 116 of sketching people. Experimenting with the Pilot V7 pen to create ink bleed for tonal shading on monochromatic people sketches. Exploring how to use the Envelope Method to map out simple shapes for a strong page composition and layout.

Day 115 of sketching people in ink and watercolour. An array of sketches on coffee-stained pages using water soluble ink and pencils for tonal shading. Followed by a few speed sketches from the Pencils4Tea zoom session.

Day 113 of sketching people in ink and watercolour. A return trip to the hospital, and filling the waiting time with sketches of other people waiting.

Day 112 of sketching people. Drawing is Free speed sketching event on zoom. And completing a sketch study sequence, which was another exercise in speed sketching.

Tips fro Teoh Yi Chie about the different ways he approaches urban sketching groups of people, and what he focuses on when sketching quickly vs. sketching slowly.

Day 109 of sketching people in ink and watercolour. An unfortunate trip to the hospital, but filling the waiting time with sketches.

Getting inspired by the bright colours and vivid backgrounds of Mette Lehmann’s art. Some ideas for creating energy in your sketch by adding loose colour backgrounds.

If you could only take one pen out urban sketching, could you do it? If so, what pen would you use? I considered but discounted my fude collection in favour of the Twisbi Vac700R, and am wondering if she can give me all the line variation I’m looking for. Is she “the one”?

A look at why I’m inspired to sketch the people I sketch, and how I approach choosing the starting point, and focal point of each sketch. What happens when I’m not inspired, and what happens when I leave objects out.

Day 103 and 104 of sketching people. During our trip to Lille I only managed to sketch people at the train station and on our metro ride to a museum housed in an Art Deco swimming pool.

Day 102 of sketching during a day trip to Brugge. Looking at the impact of negative space and how to create a strong sketch of a person using a triangular shape as the key compositional element.

In Ghent for day 101 of sketching people at the flea market and captured a bit of reportage sketching at the cafe, illustrated with a short poem about their dormant cell phones.

In Paris for day 98, 99, and 100 of urban sketching people. Experimenting how to manipulate the line and colour on a page to create a sketch that has a clear visual path and a strong focal point.

Another look at Andrew Tan’s (dreamscape) concepts and approaches for his comic strip style page layouts. This time around we’re looking at his use of limited colour and negative space.

Day 97 of sketching people at Faro Airport while waiting for a delayed flight to Paris. Experimenting with ink lines with spot colour, and adding blocks of colour behind the people sketches.

Thanks to some inspiration from urban sketcher Roger Klaassen, I’ve been evaluating his people sketches where he’s included blocks of colour behind his figures, and then experimenting with this technique of adding blocks of colour to my urban sketches to see how they can be improved by the background method.