Now that my travel guides are out of print, I’m down to my poetry. Collections of tongue-in-cheek satire in the vein of Hilaire Belloc.

Experimenting with a comic strip style page composition to document an urban sketching day out. I evaluated the story thread, the subject matter diversity, the strength of the focal point, and my use of colour and text.

We take a look at the different way Don Low sketches people on a double page spread using negative space, tonal shading, and high contrast in his comic book spreads. He creates impactful scenes with no use of colour. I evaluate how he uses these elements to lead the eye through the panels, and how he varies his panel layouts across both pages.

In this article I look at a collection of people sketches by Tiago Crus and analyse how he uses a hierarchy of line, colour, and contrast. How he establishes a focal point, and how he creates a strong visual pathway to lead the viewer’s eye.

As part of the Liz Steel watercolour course I created a colour preference mood board to make sure the colours I was attracted to, were in my palette, or could be mixed from the colours in my palette.

Day 74 of sketching people and also the first day of One Week 100 People. Got more continuous line practice in by sketching a crowd scene at a cash point machine from a photo. And a page of random portraits for skin tone practice.

Day 73 of sketching people. Got some continuous line practice in by sketching a crowd scene at an airport, from a photo. And a couple of urban sketches at the local cafe.

Day 72 of sketching people. Urban Sketching people at the cafe at the end of the street. Playing around with compositions to leave enough negative space so my sketches can breathe. Also added text, social commentary, and overheard conversations to turn these urban sketches into reportage.

I use the definition of a vignette from well-known urban sketchers to figure out how to improve my building sketches. I evaluate a recent vignette urban sketch of a church that wasn’t successful, and a couple of other urban sketches that were.

Day 71 of sketching people. A morning urban sketching people at cafes and a mobile screening unit in Tavira. Experimenting with different backgrounds and page layout compositions.

Day 70 of sketching people. Urban sketch in ink and watercolour of some players taking part in a Pétanque match in the village. Also a couple of portrait sketches to finish of my latest A6 people sketching sketchbook.

This year’s One Week 100 People sketching challenge hosted by Marc Tarot Holmes and Urban Sketcher Liz Steel is starting on March 9th 2026.

Day 69 of sketching people. Traveled to Ayamonte Spain for a day of urban sketching. I sketched people at the cafe, a few buildings and an iconic statue in the square in old town. My watercolour pencils saved the day, and I used this day trip to experiment with page layout ideas and using spot colour for areas of focal point.

We take a look at the different way Don Low sketches people using negative space, tonal shading, and high contrast in his comic book spreads. He creates impactful scenes with only a minimal use of spot colour. I evaluate how he uses these elements to lead the eye through the panels, and how he varies his panel layouts.

Urban Sketchers Org daily prompt list calendar for March 2026

Day 68 of sketching people. Urban Sketching at a local cafe at the end of the street. Combining people sitting in different parts of the cafe together at a table, and experimenting with compositions for a reportage post.

Purchasing tickets for my first Urban Sketchers Annual Symposium which is being held in Toulouse. A stressful ordeal that turned out ok, but it was a nerve-wracking journey to get there.

Day 67 of sketching people. Sketching from photos to get a jolt of inspiration after hitting a creative lull. I used a different style for one sketch, and incorporated different art materials for the other. I also show how I created my watercolour pencil stubbies, so that they’re an ideal size to take urban sketching.

Day 66 of sketching people. Urban Sketching afternoon at the Tavira Plaza to capture people in ink and watercolour. Experimented with a V-shaped Composition, tonal shading with a spot colour background, and creating depth with desaturated colours.

Day 66 of sketching people. Ink Sketches and tonal shading, with vivid spot colour added during the Pencils4tea speed sketching event on zoom, where every pose is the length of a music track.

We take a look at two different approaches that Santi Sallés uses when using a comic strip style layout. One to tell a story, and the other to connect different locations and capture small details. I evaluate how we could use these approaches when urban sketching people.

My triptych sketch series in a photo booth style is inspiring me to explore more options for using grids and comic book style page design that is easy to read and not confusing or overwhelming.

Day 65 of sketching people. Not much time today, but enough time for a quick coffee at a local cafe and a quick sketch, about being in a foreign country but still able to order scones and clotted cream. This was an experiment in reportage and page composition.

An exploration of using distorted perspectives on my people sketches. I did Regina Spector’s Making Sketches Expressive through Proportions Tutorial, and here’s the exercises we did, and some examples of other sketches I’ve done with distorted proportions.

Kick in the Creatives is hosting a month-long challenge called February Faces, so I decided to do month of blind contour self portraits in ink, and then finish them off with watercolour. I’m using their daily prompt list to drive the poses I’m sketching.