Day 137 of sketching people. Urban sketch of men at the IMT office in Faro, with some poetic reportage as social commentary to illustrate the scene, and make the story about the make-shift “Silence” sign.

Sunday morning sketch in Cabanas capturing a street scene with bougainvillea in ink and watercolour, using a colour triad to ensure colour harmony, which is especially useful when you’re sketching lots of foliage.

Another outing with the Algarve Plein Air Collective, this time to sketch foliage and a statue in a park scene. Where I moved foliage and a park bench around in my sketch to create a strong L-shaped composition.

My first outing with the Algarve Plein Air Collective. Although we were on the Cabanas boardwalk to sketch the boats in the water, I was drawn to the Sunflower, in front of our local newsagents, which had its face turned towards the morning sun.

Day 129 of sketching people in ink and watercolour. Today I sketched a couple of people in Tavira and added some poetic reportage to these otherwise uneventful scenes. I also did a bit of portrait practice back at home.

Day 127 of sketching people in the waiting room of a government office in Faro. Experimenting with page layout by adding signs to help convey the location of the sketch, and filling negative space with some poetic reportage.

Day 125 of sketching people at cafés in Tavira and Cabanas. Experimenting with page layout and composition, to see how well overlapping figures, and using V and L shapes layouts works.

Day 113 of sketching people in ink and watercolour. A return trip to the hospital, and filling the waiting time with sketches of other people waiting.

Day 109 of sketching people in ink and watercolour. An unfortunate trip to the hospital, but filling the waiting time with sketches.

A quick people sketch at the cafe, and swatching a muted shade of green, that morphed into a beautiful skin tone shade using natural sienna, cobalt turquoise light, and opera pink. I also ruminate on how I sketch people and how they see themselves, and how those are two very different things when I sketch my version of reality.

Day 95 of sketching people. Today I sketched groups at the monthly Sol de Inverno event in Tavira. I used a different easel today, made out of an A5 watercolour book cover, and it worked really well.

Day 94 of sketching people at a live sketching event at a local art gallery. I faced the dilemma of wanting to add colour to my sketches but having to wait for the page to dry before I could begin another sketch.

Day 93 of urban sketching people at Tavira Plaza. Ink and Tonal Shading sketches on location, and discovered that if I leave the Tombow water soluable ink to “cure”, you can add watercolour on top of it and it doesn’t bleed or spread.

Easter Sunday wandering around Tavira looking for inspiration to sketch people and buildings. But I only managed a few sketches, one of them was the honey man at the craft fair by the river.

Day 91 of urban sketching people at the cafe. Sketched onto a watercolour paper background of coffee stains. I also prepped some page for my next cafe sketching trip, experimenting with different ways to apply the coffee and vary the patterns created.

Sketch of a building and street scene in Santa Luzia next to Tavira. Used loose Ink lines and watercolour application to create a dynamic sketch. And evaluated what aspects of the sketch worked, and what improvements I could make to future building sketches.

Urban Sketching day out in Tavira sketching Tavira Public Gardens. Take a deep dive into how I planned the composition using the L-shaped layout, and how to create dynamic skies. I also sketched one of the town’s many churches and tested how to use water-soluble ink to create shadow area.

Day 86 of sketching people. The calm of sketching people at the cafe when you know they’re not going to move much vs. the urgency of sketching people on a bench when you fear they may get up to walk at any minute means you create different line styles. Tight vs. loose.

Getting inspiration from Toni Burt’s loose lines and dynamic watercolour online class to capture simple local scenes in an expressive style.

Day 82, 83, and 84 of sketching people at the cafe, garage, and on the boardwalk. Not a huge output, but took the opportunity of sketching in the cracks of life. Making the most of time I spent waiting around. Better than doom-scrolling.

Day 75 of sketching people. Urban Sketching people in the departures long of Faro Airport, and on the plane from the front row – so lots of toilet queue sketches. Experimenting with different compositions using an outlined oblong shape in the background to tie people and objects together on an A6 page layout.

Day 72 of sketching people. Urban Sketching people at the cafe at the end of the street. Playing around with compositions to leave enough negative space so my sketches can breathe. Also added text, social commentary, and overheard conversations to turn these urban sketches into reportage.

Day 71 of sketching people. A morning urban sketching people at cafes and a mobile screening unit in Tavira. Experimenting with different backgrounds and page layout compositions.

Day 68 of sketching people. Urban Sketching at a local cafe at the end of the street. Combining people sitting in different parts of the cafe together at a table, and experimenting with compositions for a reportage post.