We take a look at the different way Don Low sketches people on a double page spread using negative space, tonal shading, and high contrast in his comic book spreads. He creates impactful scenes with no use of colour. I evaluate how he uses these elements to lead the eye through the panels, and how he varies his panel layouts across both pages.

We take a look at the different way Don Low sketches people using negative space, tonal shading, and high contrast in his comic book spreads. He creates impactful scenes with only a minimal use of spot colour. I evaluate how he uses these elements to lead the eye through the panels, and how he varies his panel layouts.