Here’s an image gallery of my urban sketches of people where I’ve add a bit of social or cultural commentary in poetic form to elevate my illustrations into reportage.

Day 123 of sketching people at a local cafe. Added a bit of poetry to a couple of my sketches for a bit of reportage. Also continued my fasciation with biro portraits.

Day 122 of sketching people. Working my way through the second week of Dylan Sara’s facial features course which focused on sketching the nose. Which culminated in a coloured pencil portrait.

Day 121 of sketching people. Biro sketches with tonal shading from online resource images, and a couple of urban sketches at the cafe in ink and watercolour.

Day 115 of sketching people in ink and watercolour. An array of sketches on coffee-stained pages using water soluble ink and pencils for tonal shading. Followed by a few speed sketches from the Pencils4Tea zoom session.

Day 113 of sketching people in ink and watercolour. A return trip to the hospital, and filling the waiting time with sketches of other people waiting.

Day 112 of sketching people. Drawing is Free speed sketching event on zoom. And completing a sketch study sequence, which was another exercise in speed sketching.

Day 111 of sketching people. Working my way through the first week of Dylan Sara’s facial features course which focused on sketching the eye. Sketching eyes in ink, and a portrait in watercolour pencil.

Tips fro Teoh Yi Chie about the different ways he approaches urban sketching groups of people, and what he focuses on when sketching quickly vs. sketching slowly.

Day 110 of sketching people. Drawing is Free speed sketching event on zoom. Sketched a series of portraits, where every pose is the length of a music track. Simple ink lines and tonal sketching with a little spot watercolour.

Day 109 of sketching people in ink and watercolour. An unfortunate trip to the hospital, but filling the waiting time with sketches.

Using the first pen I bought when I started sketching – the Yellow Lamy Safari fountain pen – to experiment turning the F nib into a Fude nib.

Painting loose isn’t just about wobbly lines. Inspired by a video by Whee Teck on how to paint more loosely, I absorbed his advice about disrespecting the lines to create a looser feel to sketches.

To create a looser looking sketch you use your watercolour to lose your edges or replace your ink lines. Here’s a look at how using paint splatters or faded edges helps to create a looser looking urban sketches.

A look at why I’m inspired to sketch the people I sketch, and how I approach choosing the starting point, and focal point of each sketch. What happens when I’m not inspired, and what happens when I leave objects out.

Day 105 of sketching during a day our flight out of Lille. I sketched people before our flight and during our flight. A good end to our trip, with some pleasing people sketches completed.

Day 103 and 104 of sketching people. During our trip to Lille I only managed to sketch people at the train station and on our metro ride to a museum housed in an Art Deco swimming pool.

Day 102 of sketching during a day trip to Brugge. Looking at the impact of negative space and how to create a strong sketch of a person using a triangular shape as the key compositional element.

In Paris for day 98, 99, and 100 of urban sketching people. Experimenting how to manipulate the line and colour on a page to create a sketch that has a clear visual path and a strong focal point.

Day 97 of sketching people at Faro Airport while waiting for a delayed flight to Paris. Experimenting with ink lines with spot colour, and adding blocks of colour behind the people sketches.

Thanks to some inspiration from urban sketcher Roger Klaassen, I’ve been evaluating his people sketches where he’s included blocks of colour behind his figures, and then experimenting with this technique of adding blocks of colour to my urban sketches to see how they can be improved by the background method.

A quick people sketch at the cafe, and swatching a muted shade of green, that morphed into a beautiful skin tone shade using natural sienna, cobalt turquoise light, and opera pink. I also ruminate on how I sketch people and how they see themselves, and how those are two very different things when I sketch my version of reality.

To add interest to my people sketches, I’ve been experimenting with loose watercolour washes for variegated backgrounds with a semi-abstract feel to them. To create skies with energy, movement and depth – with the occasional cauliflower, bloom or back-run.

Day 95 of sketching people. Today I sketched groups at the monthly Sol de Inverno event in Tavira. I used a different easel today, made out of an A5 watercolour book cover, and it worked really well.