Day 137 of sketching people. Urban sketch of men at the IMT office in Faro, with some poetic reportage as social commentary to illustrate the scene, and make the story about the make-shift “Silence” sign.

Day 136 of sketching people. Urban sketch of a woman on the phone, using a bright colour triad and an analogous colour combination. Also added some poetic reportage, and sketched oversized hands to help to create a strong focal point in this composition.

Sunday morning sketch in Cabanas capturing a street scene with bougainvillea in ink and watercolour, using a colour triad to ensure colour harmony, which is especially useful when you’re sketching lots of foliage.

Day 134 of sketching people. Speed sketching with Pencils4tea onto collaged paper with Portuguese text, and an urban sketch at a cafe using analogous colour palette from a bright colour triad, and a complimentary colour for balance.

We look at creating a colour wheel using a bright colour triad with cool primary colours, and see the impact analogous colours have on the mood of your sketches. Discover the power of a complimentary colour to create a focal point.

Day 133 of sketching people in ink and watercolour. Urban sketch at a local cafe of a man with a pastel de nata, and a portrait sketch of Koosje Koene using a limited colour palette inspired by Ludivine Alligier’s tutorial about creating contrast with colour and text. Both sketches with some poetic reportage.

Day 131 of sketching people in ink and watercolour. A couple of examples of poetic reportage – one at the cafe on a coffee-stained page, and one at the beach with multiple sketches of the same subject.

Another outing with the Algarve Plein Air Collective, this time to sketch foliage and a statue in a park scene. Where I moved foliage and a park bench around in my sketch to create a strong L-shaped composition.

My first outing with the Algarve Plein Air Collective. Although we were on the Cabanas boardwalk to sketch the boats in the water, I was drawn to the Sunflower, in front of our local newsagents, which had its face turned towards the morning sun.

Day 129 of sketching people in ink and watercolour. Today I sketched a couple of people in Tavira and added some poetic reportage to these otherwise uneventful scenes. I also did a bit of portrait practice back at home.

Day 128 of sketching people in ink and watercolour. Today I sketched a couple of sunburned people at the café and added some poetic reportage to capture the scene. I also added coffee stained backgrounds.

Day 127 of sketching people in the waiting room of a government office in Faro. Experimenting with page layout by adding signs to help convey the location of the sketch, and filling negative space with some poetic reportage.

Here’s my new urban sketching set up when drawing and painting on location. It includes a DIY sketchbook board I made out of recycled card and I clip my palette, water containers, pens and watercolour brushes to it. It works really well for small to large sketchbooks. Find out how to make it and how I set up my travel sketch board.

Day 125 of sketching people at cafés in Tavira and Cabanas. Experimenting with page layout and composition, to see how well overlapping figures, and using V and L shapes layouts works.

Day 124 of sketching people at Faro hospital, where I added a bit of poetry to my sketch to memorialise the moment with a bit of reportage. Also continued my fasciation with biro portraits, using Earthsworld photo references.

Here’s an image gallery of my urban sketches of people where I’ve add a bit of social or cultural commentary in poetic form to elevate my illustrations into reportage.

Day 123 of sketching people at a local cafe. Added a bit of poetry to a couple of my sketches for a bit of reportage. Also continued my fasciation with biro portraits.

Day 121 of sketching people. Biro sketches with tonal shading from online resource images, and a couple of urban sketches at the cafe in ink and watercolour.

Day 116 of sketching people. Experimenting with the Pilot V7 pen to create ink bleed for tonal shading on monochromatic people sketches. Exploring how to use the Envelope Method to map out simple shapes for a strong page composition and layout.

Day 115 of sketching people in ink and watercolour. An array of sketches on coffee-stained pages using water soluble ink and pencils for tonal shading. Followed by a few speed sketches from the Pencils4Tea zoom session.

Day 112 of sketching people. Drawing is Free speed sketching event on zoom. And completing a sketch study sequence, which was another exercise in speed sketching.

Tips fro Teoh Yi Chie about the different ways he approaches urban sketching groups of people, and what he focuses on when sketching quickly vs. sketching slowly.

Using the first pen I bought when I started sketching – the Yellow Lamy Safari fountain pen – to experiment turning the F nib into a Fude nib.

If you could only take one pen out urban sketching, could you do it? If so, what pen would you use? I considered but discounted my fude collection in favour of the Twisbi Vac700R, and am wondering if she can give me all the line variation I’m looking for. Is she “the one”?